30 October 2011

It's nearly November

I've hardly noticed October - been so busy sorting out my next day job. Actually I've ben so busy that I've put writing on hold completely. But now, since I've got a new job (some call it promotion), went through the mill of a Very Important Assessment, sent my application to yet-another-uni-course in and awaiting results, and the spring is finally in the air it's time to go back to writing.

It's November - NaNoWriMo month again and I'm definetely taking part again this year. I'm also going to do SoYouThinkYouCanWrite2 with Harlequin again as I enjoyed SYTYCW1 last year.
I'm writing another medical romance - since the target length of 50-55,000 is ideal for Nano. I also hope I will be able to submit it at the end of SYTYCW2.

I have been neglecting my blog lately and unfortunately this is likely to continue in November because of Nano, but after that I should have more time for writing.
In the meantime, for those of you who are looking for an interesting writing workshop in November - have a look at a fellow romance writer Lacey Devlin's blog for inspiration.
I'm off to get prepared for NaNo - I've got heaps of stuff to do.







Nano preparation checklist for plotters:
1. Story premise - check
2. Title - check
3. Heroine's goals, motivations and conflict - check
4. Heroine's arc - needs some work
5. Hero's goals,  motivations, and conflict - check
6. Hero's arc - needs some work
7. Plot outline - very patchy, several plot holes - needs fixing
8. Minor characters - haven't been conceived yet.
9. Happily Ever After - check!
10. A week off day job - request not submitted yet!
11. Put a new word counting widget on my blog - not done yet!

I haven't included a supply of chocolate as I have to lose weight I've put on during all that work-related stress in October but will have to find something to fuel my during those long early morning hours.


Who else is doing Nano this year? Are you a plotter or a pantser? How are you preparing?

09 October 2011

Take a cliche and twist it... (how to create unpredictability in romantic fiction)

I have just finished reading Emily March Hummingbird Lake novel. Although it starts a little too slow for my liking, I'm pleased I stuck with it, because I've really enjoyed the book, and the main reason for that is the Heroine - Sage. She is an interesting mixture of soft and feisty, full of internal conflict (great way of contrasting her paintings as a metaphor to Sage's own internal contrasts) and carries a heart-wrenching secret. The story (and Sage's secret and internal conflict) unfolds in a way that the reader is bound to empathise with Sage and root for her, even when she's really mean to the Hero.
Great job, Ms March!

Sage's story made me go back to my notes from RWNZ conference in August and Lucy Gilmour's from Mills &Boon presentation on unpredictability in romantic fiction. Sage is a twist on one of romance favourite archetypes - The Wounded Hero. The twist is simple - just the gender swap, but for me it was enough to keep me turning the pages.

Photo by Digitalart
via www.freedigitalphotos.net


Lucy's presentation was in the context of preparations for New Voices competitions, and highlighted unpredictability as one of 6 relevant elements of a good story. Interestingly, unpredictability features also in the newest ebook prepared for New Voices contestants and anyone who wants to write Mills& Boon romance (Secrets uncovered - scroll down to the bottom of the page to download).

Many people reject romance as a genre because of its predictability. It's true - romance readers like their favourite plots and themes, 'dark and broody heros' or feisty heroines. They buy M&B's books because they know they are going to get what they expect and there is a Happily Ever After at the end. And since everything has already been done it's not easy for a writer to come up with new twists and turns.

So how to create unpredictability in romantic fiction?
1. Take a character (an archetype, trope or stereotype) and give them a twist: change the gender (I'm brewing a 'in-love-with- Boss' story with the role reversal), let your Cinderella be a man, make the most suspected person the culprit (a twist on the Dog was the Mastermind trope I'd love to read!), give your sweet, naive Red Riding Hood a few wrinkles and 'I-should-have-known-better', or just make your hero younger and less experienced than your heroine.

2. Take a well known plot and twist it.
Oh, how much I'd love to read a story about a Girl meeting Mr Right and then realising she doesn't really want to get married and have children, at least not before she travels the world (with him)! Or how about a genuinely loving couple who marry for convenience and what is the impact of it on the relationship afterwards (I know of a couple who got married after a few years of living happily together because as a married couple they would pay less tax; unfortunately, I don't know what was the impact of those wedding vows on the romance in their relationship, but just imagine the possibilities...). Or add some infidelity to the mixture (apparently the attitude to infidelity in M&B romance is changing).

3. Twist the setting.
Since I moved to New Zealand and have all those 'exotic' pacific islands within a couple of hours flight at most, the word 'exotic' has got a new meaning. I've spoken to a Kiwi woman once who told me that the dream of her life is to travel to Austria - the country where her favourite film, The Sound of Music was made. Quite an eye opener for someone like me, who spend the majority of her life in central Europe.
Twist the meaning behind a setting. Tired of sweet little towns? Show your H/h struggling with not-so-positive aspects of those close-knitted communities. Or how about a glam chick story set in a little town? Or a boy coming home to a modern, fragmented family in a big city?

4. A fresh POV
Give your Heroine a unique ability or disability that will affect the way she perceives the world (not a romance, but a great way of introducing unpredictability The Curious Incident of the Dog in the Night Time ); introduce different formats (diary entry, txt mssgs, emails); or even EVEN (yes, Lucy DID say it) use the 1st person narration.

I love twisting and turning cliches and reading stories that turn out to be not what they appear to be. I'm currently writing a story, which was originally 'conceived' as a chick-lit story, but chick-lit has fallen out of fashion since (I'm way too slow for those trends!) so I'm setting it in a small town instead! As I said, I'm also brewing a reverse 'in-love-with-Boss' story.

Have you twisted any cliches? What is your favourite way of creating unpredictability in romance? Which cliches would you like to twist?

26 September 2011

Romance writing competitions

Looking for romance or women's fiction writing competition?
Check my calendar - just updated it with more upcoming contests. Every note contains a web link to the contest site - check it for more details.

Good luck!



Ps. After much deliberation and asking around, I've decided that I wasn't eligible for New Voices, so I'm not entering (but reading entries). Instead, I've entered Strictly single competition (RWNZ) again this year. This year I've entered a completely new story, something I've thought out a couple of years ago as a chick-lit, but since chick-lit is no longer hot (or even worse: editors are not buying new authors any more), and since my story was never conceived as a bit city story I've changed some elements. Now, it's a (single title) contemporary romance, set in a small town (apparently this is HOT!). The characters' arcs have changed, too and becuase I haven't had much time to smooth it out, they're not as goo as they could be.
It was a bit of a touch-and-go with the deadline, as I completely forgoten about it. But I've managed to churn out 6,500 words and a synopsis.
Fingers crossed.
Now, back to my current WIP, which I've been writing for... let me think... 7 years now.


Have any of you entered or is going to enter any contest now? Any of you doing New Voices?

21 September 2011

Artist abuser

I am currently reading Picture perfect by Jodi Picoult and although I'm nowhere near as captivated as by My sister's keeper, but I keep reading, even if it was to see how Ms Picolut will deal with some cliches and character stereotypes/archetypes. And while I'm at characters' stereotypes etc, I thought I'd use one of Picolut's characters for my next, a little overdue, post in Believable Characters series.

Cassie, the main female character is married to Alex  - a drop-dead gorgeous, charming man, who is an actor admired and desired by milions of women. Cass loses her cool, scientific head and falls for him, they have a perfect wedding with a dres flown from PAris (or maybe Milan, doesn't quite matter), and then he whisks her away to his world. And here starts her married life - full of surprises.
I haven't actually finished the book, because I got a little bored somewhere half way through. It's a bit obvious what would happen, but to be fair to Picoult Alex is a picture perfect portray of an Artist Abuser.

I have tried to come up with a better, more evocative name for this stereotype/trope, but couldn't. So in the end I've decided to use V.L. Schmidt's term with a little twist - Artist and Abuser is actually an artist abuser, becuase the abuse is usually well hidden and often these couple would appear 'picture perfect' to outsiders.

Key characteristis
Artist abuser is a man of emotions, or rather - emotional storms: from exalted love to angry rage, he switches within seconds. Whatever the emotion, it's passionate, it's full-on. He's good at expressing emiotions, but rubbish at mastering him, which often leads to emotional and even physical abuse, even if he doesn't want to harm the person he's with he can't keep his anger under control. Many AA are genuinely loving men, who really suffer seeing the extend of the damage their rage have produced. That's why in the attempt to make up for the damage, they want to sweep their partners off their feet and shower them with their love.
Some of  AAs however are more sinister and use their abilities to manipulate people, particularly in close relationship, mingling his abuse between acts of generosity and display of love and passion. Whatever the motivation, AA is the master of 'double bind'
AAs attract women because of their passion and ability to access and express emotions, and channel them into creative acts. They are also often artists - painters, writers or actors- just like Picoult's Alex Rivers.


Relationships: AA attracts women who admire his talents and fall for the intensity of his emotions. Their love story is usually short, intense, full of romantic moments and acts of 'crazy in love with you' (e.g. Alex's impromptu trip from Arfica to USA to bring Cassie snow she happened to mention she was missing). If he says 'You are the only person who could understand me/I could ever talk to..' on your Heroine's first date, wants to move in with her on the second and proposes on the third beware! He may be an Emotional Abuser! Their dedication and infatuation with the Heroine can often turn into jealousy and posessiveness.
Obviously, AA's relationships are full of passion, fantastic sex and romantic moments - what makes him different from any other romantic hero is the darker side of his emotions - anger and violence.
They also often emotionally dependent on their partners, like Alex on Cassie, but deny it. They may substitute drama and excitement for emotional intimacy.
To the external world AA often look 'picture perfect' - madly in love, passionate, fun-loving, that's because the abuse happens at home.

Typical back story:Usually Artist Abuse has been a victim of emotional, or even physical abuse in his childhood. Often he has a father, who is an AA himself, or a Femme Fatal as a mother. Sometimes he would have withdrawn paretns, uninterested in him at all, almost unloving, like Alex Rivers in Picture perfect. They grow up in emotional storms, whetehr external (e.g. parents' arguments), or internal (own emotions - hate, anger, unmet needs to be loved and appreciated), and since they never learn how to contol these forces, they just let it happen. They have to fight for the attention of their parents, prove their worth (Alex' father wanted a tough boy, not a softy Alex grew up into), gain their accceptance. Their self esteem and confidence suffers and they often have to resort to 'crutches' like threats, violence, or put a front on to appear stronger than they are.

Typical jobs: any artistic profession: actor, writers, painter, singer, you name it.

Vincent van Gogh - Self-portrait in front of an easel
Photo from Wikipedia, Creative Commons


Motivation:
This hero wants to be someone important and achieving his goal is it's to-be-or-not-to-be. For him every little argument or a minor cough is a fight for life. He's full of passion and thirves on extremes and he does not want to miss any opportunity to experience it.
He's in the spotlight all the time, playing the role of his life, and one not-so-favourite remark or a dry smile can in his opinion destroy his career. He does not trust others, and often has a need to control them.


Biggest fears:
He fears himself - his angry outbusrsts and potential for hurting the loved ones; he does not want to hurt people. he does not like criticism and perceives it as rejection - if one person doesn't like his artwork, he may see it as his own artistic death and destroy what he's created. As an artist he is scared of loosing his creativity and a minor 'writers block' can cause a major emotional breakdown.

Potential for growth:
Having an Artis Abuser as your hero gives you an instanenous internal and extarnal conflict between his and your heroine -his passionate and violent nature create intense push-pull in their relationship. But on the other hand, if you want your Heroine to have HEA with AA, you have to make sure he changes, and changes for good. The growth would usually have to happen around his ability to control his emotionas, particularly anger. But this may create furtehr complications, as he may fear if he harnesses his passionate anger, he may lose his muse compeltely.
You may also need to make him find other ways of improving self esteem than being violent or manipulative.

Examples from literature and film: Vincent Van Gogh, Tristan from Arthurian lenegds, Othello

04 September 2011

Online writing workshops in September

A selection of writing online workshops that may be of interest to romance writers

Colorado Romance Writers:
5- 30 Sept:  Corsets, goggles, airships - Researching and writing steampunk by Beth Daniels
5- 30 Sept: Body talk - Loving, lying, and the real language of the body by Kit Frazier

Yosemite Romance Writers:
5-30 Sept: Whose story is it? The nuts and bolts of POV by Susan Palmquist
5-30 Sept: A cop's life from A to Z by Kathy Bennett

Fantasy, Futuristic and Paranormal chapter of RWA
5 Sept - 3 Oct: It's showtime! Show, don't tell by Flo Fitzpatrick

5 - 30 Sept: Creating your hero fatal flow by Laurie Schnebly Campbell

5 - 30 Sept: Microsoft for writers by Catherine Chant

6 Sept - 3 Oct: The purpose driven scene by Lynn Kerstan

6 -13 Sept: Conflict - How to build it, sustain it, resolve it by Jaye Roycraft

6 Sept - 2 Oct: Conflicts of myth - using classical myths to deepen your contemporary novel by Susan Sipal

6 Sept - 3 Oct: Advance dialogue class by Devon Ellington

12 Sept - 3 Oct: Secrets to writing (and pitching) The Big Hook, High Concept, Same but Different Novel by Virna DePaul


Again, I have problems choosing from such a wide range of interesting workshops, but I think I'm going to take the course on writing high concept novel and/or the purpose driven scene (as I have problems writing scenes).

Are you interested in any of these classes? Any recommendations?